18 Sabbaths - Jas Sum Kral Red Knight - 17th Sabbath

B"H

THE CIGAR

Jas Sum Kral Red Knight
5 x 50 Robusto
Closed-foot, Pig-tailed
w. Ecuadorian Habano
b. Mexican San Andres & Jalapa Seco
f. Undisclosed
m. Tabacalera New Order of the Ages (NOA), Nicaragua

Check out my initial write-up and talkie re: this JSK offering HERE.
This is Serie II of my 18 Sabbaths project. Please read all about it HERE.

ACT I

A quick softening of pack density almost immediately so upon lighting. All the way on down shaft up to band. Draw is an open -medium tension sans resistance entirely. Seams are a tick uneven, but the looser portions tighten in short order. Combustion is ignited via a Vertigo lighter in turn via Famous Smoke Shop -- which we'll be teaming up with soon in order to raffle off said lighter and gift card. More on that later. Meanwhiles, burn-line is even and giving off a pale silver and slightly dry sheath of rapidly growing burnt-offerings. Tons of dense smoke out-put. 

Flavors are a heighty medium-full of up-front red and black pepper with a under-belly of seasoned and spiced hardwood. The mesquite is added. Cinnamon led spices. Then chili powder sprinkles in. Espresso pulls in. Chocolate bakes in. Profile gets a new under-belly of nigh scorched compost. Manure. Some red to purple fruit dalliances therein. Body is medium-full with an entering of creme brulee toasted table-side by a pyromaniac chef. Leathery oils enter at the end of 1/3. Strength is already unsettling to a lightweight, ie: me. Checks in outta the gate at a medium-full. 

Not overly complex. Nuances are good on accounta deep, rich, firmly implanted notes. No transition yet, but there is a mellowing of onset onslaught, so that. Feels somewhat unbalanced.

ACT II

Soften of pack ceases sans re-firming and a hard spot forms under band. No influence though, on the unchanging draw. Seams tighten more-so. Combustion stays on the quick-side of moderate, but slows somewhat. A slight ribboning happens alongside a flowing of ash. That ash greys a tick, and builds to a good inch at a time. Shaft stays cool, 'cuz he's a bad mother-- shut yo' mouf! Smoke out-put slows a half-tick.

Flavors toast and to notes are introduced to an otherwise static profile: maraschino cherry and smoked meat. Body fluctuates in the medium-full spectrum on an ebbing and flowing of leathery oils. Strength is making me woozy and schvitz forms on my upper-lip. Some one's knocking on my door... oh, it's my heart palpitating. Good. I hate company.

A tick more complex at the end of a mellowing but still bold to the point of piquant experience. Nuances are Samesville. Transitions are there, but unrehearsed seemingly. Unbalanced, some. Jazz is what happens when the special ed. class gets lost in the band room. 

ACT III

Hard-spot at band softens. Seams loosen some at char. Flaky. Re-touch mandated. Pace slows more. Crema added to espresso. Cherry and other fruits fade. Cayenne. Crisping up of leather dries palate a bit, then re-dampens and then-some. Retro-hale is a spicy meat-a-ball. Finish is pepper-spiced woods. Under-belly soars. Writing in spurts. Wearing helmet in case of falling over. Strength to full. STRENGTH TO FULL.

Someone quick! Help me up. I'm going pillaging!!!

Jas Sum Kral, baby! King of the...

gimme a hand, pal?

EDITOR'S NOTE

Whilst posted on the Sabbath, this is an automatically generated thing, gentlepersons. These are not created during the Sabbath, but typically on a Friday noon-ish. Shabbot shalom and Gut Shabbos -- and to the goyim: hey, have a heckuva Friday night/Saturday!

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L'shalom